I decided to come back to my poor neglected blog to tell a bit about the concert in which I sang on Sunday. The Webster Chorale joined the St. Louis Chamber Chorus to sing a concert which we called "Music of the Fall," referring not only to the season we happen to be in, but to the Fall of Man and death, as well as falling in love!
The Chamber Chorus (some fifty, I believe) took the stage first for a wonderful rendition of the Missa "Durch Adams Fall" by Christoph Bernhard (based on the motet, "Since Adam's Fall".) Then they filed off and the sixteen Chorale members sang our two Hungarian motets: Lajos Bardos' Libera Me, which moved with only a second's pause into Gyorgy Orban's Daemon Irrepit Callidus, a wonderful Latin rhyme about how the devil, the flesh and the world, despite all the fair things they give, are worth less to the heart than Jesus is. The Chamber Chorus joined us for Michael East's beautiful love madrigal, I Fall and Then I Rise Again Aloft, and they finished the first half with Mein Odem ist Schwach, (My Breath is Corrupt), the first of Max Reger's Drei Motetten, op. 110 - a huge work and seldom performed in its entirety. The second half began with the second motet, Ach, Herr, strafe mich nicht (Ah, Lord, strike me not.) The Chamber Chorus performed this and their world premiere of a commissioned piece, Slow Gold by Claire Maclean, alone; then we performed our Funeral Sentences by Henry Purcell, and all together we finished the program with the third motet: O Tod, wie bitter bist du, (O Death, how bitter thou art!)